"Mirrors in Motion: Reflections on a Haunted, Heavy Record"
(Artist Update
Written by: Ginny Gaines
After nearly six years of waiting, All Them Witches finally came back swinging with a brand-new album called House of Mirrors, released on May 29, 2026. For fans of the band, this wasn’t just another album showing up on a Friday morning playlist — this felt like seeing an old friend return after being gone for a long time.
The Nashville rock band had been pretty quiet when it came to full studio albums since Nothing as the Ideal came out back in 2020. Sure, there had been tours, live shows, and plenty of rumors about what might come next, but nobody really knew when the next big chapter would arrive. Then suddenly, House of Mirrors showed up, and people quickly realized this was not a rushed comeback album. This was something the band clearly took their time with.
If you’ve followed All Them Witches over the years, you already know they’ve never been a band that likes to follow the rules. They mix heavy rock, blues, psychedelia, and long, moody jams together in a way that somehow works. One minute they sound like they wandered out of a smoky Southern blues club, and the next they feel like they’re floating through outer space.That strange magic is still alive on House of Mirrors.
One big reason is the lineup change behind the drums. This is the band’s first full studio album with Christian Powers stepping in on drums after longtime drummer Robby Staebler left. Anytime a rock band changes drummers, fans get nervous because the rhythm section changes everything. But instead of sounding uncomfortable or awkward, the band sounds locked in, focused, and confident.
The album itself feels like a journey through different moods and emotions. Instead of hitting listeners over the head with nonstop loud guitars and chaos, All Them Witches slow things down and let songs breathe. The music feels patient — like it wants you to sit down, turn the lights low, and really listen. The title House of Mirrors almost feels like the perfect name for what this album is trying to say.
Think about walking through one of those old carnival mirror rooms. Everything looks familiar, but at the same time, strange. Reflections bend. Shapes shift. You recognize yourself, but things feel slightly different. That’s kind of what this album sounds like. It feels reflective, thoughtful, mysterious, and sometimes even haunting. Some songs hit harder than others, but a few quickly stood out to fans.
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“Red Rocking Chair” feels dark, moody, and almost spooky in places, like an old Southern ghost story told late at night on a porch somewhere in Tennessee. Starting Line” carries a feeling of moving forward after difficult times, almost like beginning over again when life doesn’t go exactly how you planned. “The Welterweight” brings more energy and grit, showing off the band’s heavy side while still keeping that hypnotic groove they’re known for.
Then there’s “Saturn Song,” which sounds exactly like its name suggest, dreamy, spacey, and full of atmosphere. It feels less like a song you simply hear and more like one you drift through. One thing longtime fans immediately noticed is that this album does not try to copy the past. All Them Witches could have easily tried to remake one of their older fan-favorite albums, but they didn’t. Instead, they pushed forward and trusted themselves to grow. That decision seems to be paying off.
Fans have been talking about how House of Mirrors gets better after multiple listens. It’s not the kind of album where every song instantly grabs you in the first thirty seconds. This is more of a slow burn. You notice new details every time — a guitar line hiding in the background, strange keyboard sounds, lyrics that suddenly hit differently.
The production also deserves credit. The album sounds huge without feeling overproduced. Everything has room to breathe. The guitars are thick, the bass rolls underneath like thunder, and the drums hold everything together without trying to steal the spotlight. No shortcuts. No chasing trends. Just a band making the kind of music they believe in.
At the end of the day, House of Mirrors feels like proof that All Them Witches still have plenty left to say. After years away from the studio, they returned sounding wiser, calmer, and maybe even more confident than before. For new listeners, it might be the perfect place to jump in. And for rock music in 2026, it serves as a reminder that albums can still feel mysterious, exciting, and worth getting lost inside.
That's a wrap for my update on All Them Witches's new album release...Thank you for reading and in closing, please know, Soundwave Music Media will be here and I will always do my best to bring you any updates as they emerge. Please consider supporting our Soundwave Foundation with a donation! Rock On! Until next time...🤘
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Written By: Ginny Gaines
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