Decolonise Fest

Published on 14 October 2026 at 06:00

"Decolonise Fest 2026: From Daytime Conversations to a Full Dance Floor"

(Special Report)

Written by: Tina Voigt   


When I arrived at Signature Brew Blackhorse Road around 12:30pm, Decolonise Fest was still easing into its Sunday programme. The venue was quiet, giving me a chance to take in the impressive space before the afternoon got underway. By around 1pm to 1:30pm, more people were arriving, and the atmosphere gradually began to change. Hours later, that same hall would be full, with six very different acts giving the crowd plenty of reasons to keep moving.

Decolonise Fest is a London-based, non-profit DIY festival organised by and for punx of colour. Its programme brings live music together with workshops and discussions, making room for creative expression and the issues affecting the communities behind it. That combination shaped the whole day at Signature Brew.

The venue itself added to the experience. I really enjoyed the food, and the beer was a definite highlight of the day. There were several different varieties to choose from, and they tasted great. Between the music, the food and the beers, there was plenty to enjoy throughout the afternoon and evening.

An afternoon of ideas

Before the first band took the stage, Sunday opened with Disrupting Exclusion: An Abolitionist Approach to Education, followed by a Solar Punk Zine Workshop and Land Back! Why We Need Land Justice, Food Sovereignty and Reparations. Education, creativity and questions of justice all had a place in the programme, alongside the evening’s performances.

For me, this gave the festival a different pace from an event built entirely around back-to-back sets. There was time to arrive, spend time in the venue and engage with something beyond the stage. The afternoon introduced the wider purpose of Decolonise Fest: bringing people together to exchange ideas as well as discover artists.

By 5pm, the focus shifted towards the stage. Silver Tabby had the opening slot, and the quieter start to the day soon felt a long way behind us.

Silver Tabby

Silver Tabby’s sound sits in playful, slightly chaotic indie rock, with unconventional guitar parts and influences including Wet Leg, Pip Blom and Wolf Alice. Their approach leaves room for different sounds and plenty of personality.

They brought good energy to the stage and gave the evening a strong start. Opening the live programme meant getting the crowd into the mood for the hours ahead, and Silver Tabby did exactly that. Their set warmed up the room and built momentum for the acts that followed, making the transition from afternoon discussions to evening performances feel easy.

Baby Said

Next came Baby Said, the sister duo of Veronica and Jess. Their guitar-driven alternative and indie rock combines melody with attitude; on their debut album, BS, they describe their writing as a way of finding their voices and encouraging others to speak up too.

During their performance, Signature Brew continued to fill, and the atmosphere became noticeably more animated. People were dancing, enjoying the music and getting into the evening together. Following Silver Tabby’s energetic opening, Baby Said kept that momentum going while bringing their own character to the stage. With more people joining the crowd, the evening was starting to feel in full swing.

TM Distant

TM Distant took the evening into rougher, louder territory. The Essex-based alternative artist combines elements of rock, grunge and hyperpop, with influences ranging from Deftones and Linkin Park to more recent alternative artists.

By this point, the hall felt full, and the crowd responded enthusiastically to the heavier sound. After the first two acts had built the atmosphere, TM Distant pushed the intensity further. People were fully engaged with the music, and the energy in the room matched the force coming from the stage. It was a clear change of pace that the audience embraced.

Hang Linton

Hang Linton brought another change of direction, with a sound that moves between avant-funk, dance-punk, psychedelic rock and breakbeats. Their work crosses music and performance, bringing an experimental approach to rhythm and sound.

The crowd stayed with that shift. People seemed to lose themselves in the music, responding to a different kind of energy from the heavier set before it. This was one of the things I enjoyed most about Sunday’s lineup: each performance gave the audience something new to engage with. Hang Linton widened the musical range of the evening while keeping the room immersed.

Miki Berenyi Trio

Miki Berenyi Trio offered a different sound again. Bringing together former Lush singer and guitarist Miki Berenyi, KJ “Moose” McKillop and Oliver Cherer, the trio blends layered dream pop and shoegaze textures with electronic elements.

Their set changed the mood, and the crowd welcomed it. After the more abrasive and rhythm-driven performances earlier in the evening, the trio brought another texture to the programme. The audience’s response showed how well the variety of the lineup worked: people were ready to follow the evening through its different musical directions, enjoying what each act brought to the stage.

Sacred Paws

Sacred Paws closed the night with their distinctive mix of danceable indie pop and post-punk. Ray Aggs’ bright, African pop-influenced guitar playing and Eilidh Rodgers’ fluid drumming give their music a rhythmic, buoyant quality.

They were jumping around onstage, and the crowd gave them one last burst of energy in return. It was a fitting finish to an evening that had steadily gathered pace. The movement onstage carried into the room, and people were still ready to give everything to the final performance. Sacred Paws brought Sunday to a close with an upbeat set and an audience determined to make the most of it.

A day that brought people together

What stayed with me was how much the atmosphere developed over the course of the day. The quiet venue I walked into at lunchtime had become a full hall responding to six distinct performances. Between those moments, there was room for education, creativity, discussion and discovery.

The range of the lineup was a particular strength. Silver Tabby, Baby Said, TM Distant, Hang Linton, Miki Berenyi Trio and Sacred Paws each brought their own sound, and the audience embraced those changes. Every act offered a fresh reason to pay attention, keeping the evening interesting from the opening set to the final performance.

Just as memorable was the atmosphere between the people there. Many already knew each other, while others were getting to know someone new. People were chatting, dancing and simply enjoying a relaxed, good time together. You could feel how much the festival contributed to this community through those friendships, new connections and shared moments.

For me, that was what made Sunday at Decolonise Fest feel special. An impressive venue, good food, excellent beer and a varied lineup all played their part, but it was the people enjoying it together that brought the day to life. It felt like the perfect way to round off the weekend.

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(Sources)


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Miki Berenyi Trio,

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